- #USE ADOBE PREMIERE WITH A GREEN SCREEN PORTABLE#
- #USE ADOBE PREMIERE WITH A GREEN SCREEN PRO#
- #USE ADOBE PREMIERE WITH A GREEN SCREEN CODE#
Click on the Edit tab on the right and then Effects. Drag your green screen clip onto Video 2 track (i.e. Drag your background image onto Video 1 track on timeline. There is a cheaper version, Adobe Premiere Elements, which costs around £60 for a single licence, and this still gives a good result: #USE ADOBE PREMIERE WITH A GREEN SCREEN PRO#
We use Adobe Premiere Pro to edit our green screen videos, but this is an expensive option for schools. Finally it is difficult to get a good result when there is a lot of movement static scenes (e.g. Try and avoid the subject casting shadows on the screen. If possible light the background and the subject separately, as this helps with crisp edges (and reduces the green halo effect).
You get the best results from an evenly lit background, as any difference in shade of colour will cause problems in the editing stage. However, you don’t have to use a piece of cloth, it could be a wall painted blue or green with enough room for filming in front.
#USE ADOBE PREMIERE WITH A GREEN SCREEN PORTABLE#
We also bought a Lastolite portable green screen with frame, which packs up small enough to take into schools. You get best results with a very bright, vibrant green or blue colour, for example:
#USE ADOBE PREMIERE WITH A GREEN SCREEN CODE#
We have found it particularly good for the students from the special schools we work with, as they can act out certain behaviours in a safe setting – for example crossing a road for a Green Cross Code video.Īt the CLC we use a green screen (we decided on green as less people wear green than blue – anything the same colour as the background will also become transparent!) made up of a large green curtain on a curtain rail. Students found it very motivating to use the green screen, as they could transport themselves anywhere they needed, for example play football at Bramall Lane, or play the guitar on stage at Wembley.
Expressing future plans and wishes (SEN pupils acting out “If I could be someone for a day, I’d be…”). Re-enacting school trip ( Canal trip – SEN pupils). Retelling stories/drama ( Greedy Mr Fox/Three Little Pigs/Sleeping Beauty in German/Going on a Bear Hunt/ Hana’s Suitcase). News reports (Egyptians/ Fire of London/ Extreme weather/ Victorian Britain). Weather forecasts – for MFL and also classes studying extreme weather and Sri Lanka. It is used heavily in films and television programs too – see this link for an amazing video showing the potential of the technique. Most people know it best from weather forecasts – the forecaster isn’t actually standing in front of a weather map at all. "Because editing capabilities change every few months," explains Apley, "it's important to be continuously learning." As long as your lighting is set up correctly, there are countless ways to introduce fascinating new backgrounds to your projects within the world of chroma keying.Green Screen, also known as Blue Screen or Chroma Keying, is a technique in video whereby you film your subject in front of a green or blue background and remove the blue/green colour to reveal another image behind. Keep your eye on the latest tutorials and updates to Premiere Pro through resources like Adobe Live and try out new ways to use Chroma Key tools in your videos. Watch how they did it and see the stunning result of their work. Creative studio Abby Priest experimented to discover whether or not they could use liquid paint as a green screen. In your video editor, cut a simple matte (called a garbage matte) between the person and the edge of the green area, and remove the background beyond the line of the matte.Īnything solid in color can potentially be a screen for a keying project. Hold the pop-up screen behind the person or object you want to shoot. You can use these to shoot keyable footage on the go. Look for small, fold-out background panels that resemble a round section of green screen. Take it further with creative green screens. Just making that decision will save your project," says Vavra. "As a beginner, it's worth renting that hundred or so dollars' worth of lights. You may also want to use a hair light to create a sharper line between your subject and background. These should be used to light the subject of your video. Next, get a 650-watt light and a 500-watt light, again with diffusion through a softbox or even white bedsheets. Vavra recommends renting two 1000-watt lights for lighting the screen itself and a method for diffusing, like softboxes, to put around them. The best types of lights for green screen footage. "That kit seems like it's solving all your problems, but it's introducing an entire world of new problems," says producer and director Martin Vavra. 
These types of kits typically include one or two lights sufficient to light your subject only, which will create a patchy background that will be time-consuming and difficult to remove in your video editor. Cheaper green screen kits you can buy online are not going to cut it on their own.
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